Abstract:
This paper examines the historical development of artistic wall decoration in Hausaland, with particular emphasis on the processes involved in the creation of decorative and aesthetic designs in traditional Hausa architecture. It highlights indigenous building techniques, roofing systems, decorative motifs, and the cultural, religious, and social meanings embedded in wall ornamentation. The study also appraises Hausa architectural aesthetics by examining both the finished architectural forms and the critical responses associated with their production. The research adopts a qualitative approach to data gathering and analysis, drawing on both primary and secondary sources. Primary data were obtained through oral interviews, site visitations, and careful observation of decorative designs on buildings, while secondary data were sourced from relevant literature. The focus of the study is Hausaland, and it demonstrates how Hausa builders use architecture as a medium for cultural expression. The findings reveal that Hausa master masons developed and mastered sophisticated decorative skills using locally available materials to satisfy both functional and aesthetic requirements. The monumental palace buildings found across Hausaland serve as clear evidence of the high level of artistic achievement and technical ingenuity attained by Hausa builders.
Keywords: Aesthetics, Architecture, Art, Hausaland
DOI: www.doi.org/10.36349/tjllc.2026.v05i01.009
author/Umar Muhammad Jabbi (PhD)
journal/Tasambo JLLC 5(1) | February 2026 |
